Colorado Springs artist and arborist Reynold Mackey on his decade of hand-carving accurate physiographic globes out of solid wood, how to translate a 2D topobathymetric map onto a sphere, art as family business, casting globes in bronze, chainsaw-carving to Hendrix and dental pick-carving to Debussy, why hard work is an ally to meaning, learning welding, leatherwork and paper lacquering to create enclosures for his globes, the acrobatic stillness of trees, and how, unsurprisingly, he “could never take any shortcuts.”

• Art Castings of Colorado
• Vincenzo Coronelli
• Manitou Art Center

Oregon lead cartographer and product manager Neil Allen talks atlas production with East View Geospatial’s Benchmark Maps, the years of mapmaking and months of ground-truthing required to create a Texas atlas, adventures in custom cartography (clients include the U.S. Coast Guard, The Cascadia Institute and an eccentric millionaire’s treasure hunt), the importance of asking the locals, using declassified naval data to map Monterey Canyon, and why sales and marketing is essential to a map business.

• East View Geospatial
• Baja California Road & Recreation Atlas
• Texas Road & Recreation Atlas
• Raven Maps
• Butler Maps
• North American Cartographic Information Society
• Chaney Swiney’s NACIS talk on field checking
• Map for Forrest Fenn’s Treasure Hunt
• Cascadia Bioregion map with David McCloskey
• Thad Lenker
• Port Angeles, WA Coast Guard Station map

Ontario explorer, mapmaker, and conservationist Hap Wilson on drawing 400 guide maps across 50 years, traveling more than 40,000 miles of Canadian wilderness by canoe, the one digital tool he likes (it’s Google Earth), saving lives by creating a map that, unlike the one it replaced, did not send tourists over a waterfall, retracing thousand-year-old trails to prevent their effacement by dams and clearcuts, what you discover after 200 trips down the same river, learning from the mapmakers of 1700 and the indigenous of 700, and why if a portage on his map doesn’t match the territory it’s likely a force majeure situation (“I don’t control the beavers.”)

• Temagami Wilderness Guide
• Lake Superior To Manitoba By Canoe
• Stay at Hap’s eco-lodge: Cabin Falls
• Original illustrations by Hap
• David Thompson

Colorado painter, illustrator and mapmaker Erick Ingraham on solving art directors’ problems, making it interesting for himself (“I’m known to make things more complicated than they might need to be”), spending eight years painting the Rockies’ western slope, working from his own photographs, taking inspiration from the past, getting into the culture of what he’s mapping, drawing coastlines, and some advice for developing artists: “Be a good draftsman.”

• Landscape paintings
• Children’s books
• Maps
• Vermont’s Kingdom Heritage Lands
• Winter 1888: Record Snowfall
• Where Do Forest Birds Go in Winter?
• Green Witnesses
• Western Watershed Map
• Dugald Stermer
• James Gurney
• John Singer Sargent
• Maxfield Parrish
• NC Wyeth
• Arthur Rackham
• Gustave Baumann
• Richard Estes
• Tom Blackwell

London artist and mapmaker Stephen Walter on two decades of drawing and painting “the semiotic residues of humankind,” an invitation to map an Ivorian national park (and why you should wait for the dry season before attempting this), approaching six years of work on an NYC map, interpreting Michael Drayton’s 17th c. topographical poem Poly-Olbion into a 6x5 ft. folkloric tour of England and Wales, walking the territory, the origins of “north up,” the souls of places, a half-day's research to place a single label, and his vision of Utopia.

• In-progress Manhattan map
• London Subterranea, 2012
• Nova Utopia, 2013
• Albion, 2016
• Brexitland, 2019
• Map of Comoé (La carte de la Comoé), 2019
• Henry Dreyfuss’s Symbol Sourcebook
• Jerry Brotton
• Gerardus Mercator
• Jacopo de' Barbari’s 1500 View of Venice
• Abrahram Ortelius’s 1595 map of Utopia
• The 1648 Klencke Atlas of England (5x5 ft.!), presented by Joannes Klencke to Charles II on his 1660 restoration to the throne
• John Rocque’s 1746 map of London
• Greenwood’s 1830 map of London
• Egbert L. Viele’s 1865 Manhattan map
• Bodleian Library map collection
• Paul Noble
• Layla Curtis
• Katie Patterson
• Alighiero Boetti
• Grayson Perry
• Ed Fairburn
• Ewan David Eason
• Emilio Isgrò
• Justine Smith
• Paula Scher
• Other Fabrications

Manhattan writer and cartographer John Tauranac on his first maps of Midtown’s pedestrian passages, a public debate with Massimo Vignelli (“His geography was egregious”), working at a very different MTA (they used to have an aesthetics committee?), the “no improvements” made to the official subway map since he chaired the 1979 MTA map committee, guiding Yann Arthus-Bertrand’s helicopter photo surveys of Manhattan, walking every block and learning Illustrator to create his acclaimed 176-page Manhattan tourist map, how to make a usable bus map, New York’s vanished map stores, and a longitudinal view of the business: “plus ça change, plus c'est la même bull████.”

• Tauranac Maps
• Manhattan Block By Block: A Street Atlas
• Bauhaus vs. Beaux-Arts
• Vignelli’s 1972 NYC subway map
• Tauranac’s 1979 NYC subway map
• The 2023 NYC subway map
• Nobu Siraisi
• John explains his subway map design choices
• Yann Arthus-Bertrand
• DeLorme Maps
• Alex McPhee’s giant maps of Canada

In early 2023 GIS analyst and cartographer Andrew Middleton saw a tweet about Andy Nosal’s search for someone to take over The Map Center, Nosal’s map shop in Pawtucket, RI; six months later Middleton left California to move into one of the last map retail stores in the U.S. We discuss his goal of turning the shop into an inviting retail space and field trip destination, inciting new maps of New England with cartographic challenges, making space for local and expressive maps, and summing it all up with “This is a thing I get to do with my life; how amazing is that?” Bonus: former owner Andy Nosal joins us to drop pearls of retail wisdom and confirm that Andrew has the “irrational drive in the right direction” needed for this biz.

• @themapcenter on IG
• Anne Hall Antique Prints
• Muncie Map Company
• Schein & Schein
• The Map Shop
• City Maps coloring book by Gretchen Peterson
• Landforms of the United States by Erwin Raisz
• Maps by Great Swamp Press
• Lay O’ The Land Rhode Island map by Legend Bicycles
• RI map embroidery kit by Savory Stitch
• All Mapped Out coasters
• All Over the Map by Betsy Mason & Greg Miller
• Hugg-A-Planet Globe Pillows

Lyonnais illustrator and designer Lionel Portier on a mapmaking career that spans 30 years and five continents, accepting any map challenge an art director might conceive, a travel magazine gig that led to an Australian passport, painting 100 birds for a wetland park, his favorite territory to illustrate, spending three months on a 3x4-ft. map of Bruges, why he never carries a sketchbook on a walk, and conveying with his maps the “pleasure of seeing beautiful things.”

• A Bird’s Eye View of Bruges
• The Travels of Nicolas Baudin (the map that induced Lionel to move to Australia)
• France’s "Iron Belt" of Vauban Forts
• Bird illustrations for the Hong Kong Wetland Park and Museum
• MC Escher’s Day and Night

Utah artist Isaac Dushku on how a map has to evoke either a sense of adventure or a sense of home, the best- and worst-selling states in his catalog (he drew all 50), taking his business Lord of Maps from being ghosted on Facebook Marketplace to supporting his family, creating a board book of America’s highest peaks with a “ridiculously complicated” printing process, why your choice of labels will always upset someone, somewhere, and how if someone enjoys mountains these maps will “fit nicely into their heart.”

• Most popular state map: Oregon
• Japan map
• Coffee table book: compendium of 75+ maps
• The Highpoints: The Tallest Point in Each State board book
• IG: @lord_ofmaps
• Mediaeval Mapmaker

Urbanist and illustrator ⁠Sam Usle⁠ on designing human-scale communities and rendering them in watercolors, why theme parks reflect a yearning for human-scale towns, redesigning part of his high school campus before graduation, why you can thank Le Corbusier for hideous Revit-default cities, the axonometric map that sold Disneyland, storytelling with facades, the history of Rome’s urban fabric, why master planning begins with the negative space, and how “you'd be hard-pressed to find an ugly city before 1930.”

• ⁠His maps of St. Patrick’s & St. Hedwig’s Parishes, Via Belisarius⁠⁠
• Ettore Mazzola⁠
• Douglas Duany⁠
• John Decuir⁠
• James Rouse⁠
• The Disneyland pitch map⁠
• Nolli map of Rome
• ⁠The Map Center in Pawtucket, RI run by cartographer Andrew Middleton⁠

Naomi Rosenberg, assistant director of the Media and Accessible Design Lab at San Francisco’s LightHouse for the Blind, discusses the art of making fingertip-readable maps: why clutter is the enemy of good tactile maps, the quest for an affordable embosser, being locked to 24 pt. type, creating large-scale accessible maps for the Golden Gate National Recreation Area, the OSM-filtering behind their Tactile Maps Automated Production software, why 3D-printed maps are (literally) painful for users, the barriers to high-res tactile displays, and how a good tactile designer needs to “forget about their eyes.”

• Order a custom TMAP
• MAD Lab’s braille maps
• Naomi’s maps
• OpenStreetMap
• Joshua Miele
• Join the LightHouse mailing list for updates on their 5/16/2024 fundraising event

New Haven architectural designer and artist Matthew Dean Shaffer on balancing accuracy with art, taking a break from straight lines to draw birds, software-driven homogeneity in American architecture (“Straight-out-of-Revit, as we say”), why he draws the vegetation last, how anything’s better for the urban fabric than a surface parking lot, and sacrificing for one’s maps (he went cross-eyed for a day after a marathon drawing session).

• Hermann Bollmann
• Constantine Anderson
• Tadashi Ishihara
• Views and Viewmakers of Urban America: Lithographs of Towns and Cities in the United States and Canada, Notes on the Artists and Publishers, and a Union Catalog of Their Work, 1825-1925
• Piranesi map of Rome
• Nolli map of Rome
• Akira Yamaguchi
• Tom Rook

Arlington “reformed architect” and pictorial cartographer Jamshid Kooros discusses his 30 years of mapmaking based on photographs, sketching and “walking, walking, walking,” the end of the drop-in pitch, turning three-week hikes into maps of French cities and castles, doing his own paper engineering for a pop-up map of Washington D.C., spending nine months on his Santa Fe map (which irked some locals), and being warned away from Civil War battlefield maps (“The buffs know every rock and tree and they will find a mistake.”)

• Philadelphia
• Washington, D.C.
• Williamsburg
• Santa Fe
• I think this issue of GQ Japan includes his Paris map as an insert
• Jo Mora
• MacDonald “Max” Gill
• Jane Crosen (see ep. 15)

Stafford cartographer and entrepreneur ⁠David Kulbeth ⁠on reviving old map aesthetics with his digital-to-copperplate-to-print-to-watercolor technique, the (costly) difference between copperplate etching and engraving, finding a custom papermaker, keeping his art affordable, finding style inspiration in 12 moving boxes of cartography books, and making high-craft maps of “modern places in an antique style.”

• @columbus.cartography on Instagram
• North America: copperplate etching printed on custom-made cotton rag paper, finished with watercolor
• Caribbean
• Virginia
• Texas

Fish Creek artist and gallery owner Sophie Parr on creating more than one hundred 0.5"-to-the-mile maps using aerial imagery and a 0.2mm-nib pen, why she only accepts 2x2" commissions (while working on her own 2x3 ft. map of Chicago), representing a variety of landscapes within the constraints of black ink, when returning a client’s deposit feels so good, why she won’t work in color, how discipline will get you farther than enthusiasm, curating other artists’ work to exhibit in her Door County gallery, and how often she hears “I have never seen anyone do something like this.”

• Sophie’s Instagram
• Visit her gallery in Ellison Bay, WI
• Madison, WI: 22x33" (four hours of drawing per day for 35 days)
• Lower Manhattan
• Washington D.C.
• Thun, Switzerland
• Custom-maps-for-retailers wholesale program
• Ed Fairburn
• Cam Ojeda

Sandpoint cartographer Lee France discusses making his first topos in Chile, spending months on a single map for National Geographic Trails Illustrated, the challenge of making an attractive interactive map that includes every scale from hilltop to hemisphere, how an up-to-date cadastral layer can make or break your hunting map, how his team of technical cartographers at OnX maintain three discrete map products, and the high-stoke activities his users get up to.

• OnX Maps
• Gaia GPS
• National Geographic Trails Illustrated
• Tom Patterson
• Sarah Bell’s shaded relief tutorial
• Kate Leroux
• David Lambert
• NACIS
• Maputnik
• Full Stack Cartography: Stamen’s Alan McConchie on the MapScaping podcast

Atlanta visual artist, sculptor and “topophiliac” Gregor Turk on walking 250 miles of the U.S./Canada border, creating landscapes with clay, wood and recycled inner tubes, turning Landsat imagery into hundreds of hand-painted ceramic tiles, making 1:1 scale maps, chasing phantom streets, fighting real estate developers’ efforts to erase Blandtown, confusing Beltline tourists with “misinformation” wayfinding maps, and “pushing the idea of what a map can be.”

• “Latitudes + Legends”: 86 feet wide and 18" tall, 200+ handmade ceramic tiles
• “49th Parallel”: traveling the rule-straight part of the U.S./Canada border
• “Monumap: West Poplar (Saskatchewan)”
• “Misinformation”: Atlanta toponymy atop Chicago, San Francisco and New Orleans landscapes
• Rubber maps
• Blandtown
• “Choke II”
• Peirce quincuncial projection, rendered in clay
• “Phalanx”
• Andrew Lynch’s “Unbuilt Highways” maps
• The Bellman's Map from Lewis Carroll's The Hunting of the Snark
• Lordy Rodriguez
• Maya Lin
• The Center for Land Use Interpretation
• Overlook: Exploring the Internal Fringes of America with the Center for Land Use Interpretation
• You Are Here: Personal Geographies and Other Maps of the Imagination
• The Map as Art: Contemporary Artists Explore Cartography
• Mapping Reality: An Exploration of Cultural Cartographies
• The Lure of the Local: Senses of Place in a Multicentered Society

Leesburg cartographer Tom Patterson on his decades creating visitor maps for the National Park Service (there’s a good chance his work is crumpled in your glovebox), learning to draw terrain by corresponding with an artist in Scotland, why he doesn’t lament the passing of 70s-era production techniques, how to map a piedmont glacier using satellite imagery, convincing the Park Service to give away their map files (then making it happen himself during a rained-out vacation), why he releases his designs into the public domain, how “pretty map” used to be an insult, preferring modern maps over antiques, and how “right now is the golden age of cartography.”

• Malaspina Glacier panorama
• NPS Grand Canyon panorama
• NPS Grand Canyon cartogram
• NPS map design files: find a park map, choose “Adobe print production ZIP file”
• Seafloor map of Hawaii
• Shaded Relief Archive, has a bunch of his pencil reliefs
• Swisstopo
• Natural Scene Designer
• MAPublisher
• Geographic Imager
• QGIS
• ArcMap
• Eduard
• Natural Earth Data
• Becca Holdeusen
• Alex Fries
• Daniel Huffman
• John Nelson
• Jake Coolidge
• Heinrich Berann
• Hal Shelton
• Tibor Toth
• Marie Tharp
• Mike Hall
• Jeff Clark
• Sarah Bell
• Anton Thomas
• Alex McPhee
• Nathaniel Kelso

St Leonards map producer/founder Melinda Clarke and Melbourne illustrator Deborah Young Monk discuss their collaborations across more than three decades, how to tell an artist they need to redraw three months of work, scouting territory by car, helicopter and hot air balloon, a week spent editing a 4x3 ft. map with a scalpel, selling maps door-to-door out of a suitcase, a very profitable shipping container full of puzzles, Melinda’s break from the map business to run a fish farm, getting the next generation to make maps, and how “the beauty of the whole project is that we had no idea what we were doing.”

• The Original Melbourne Map
• 1992 making-of TV segment
• Melbourne Map color print
• The Bellarine Map
• Portarlington Map
• Cooke & Calvert’s 1880 map of Melbourne
• Lewis Brownlie
• Sean Rodwell
• Alex Pescud
• Adam Mattinson
• Anton Thomas
• Helen Potter & Mark Jackson
• Creffield Digital Print

Lewes/Berlin graphic artist and “exuberant mapmaker” Neil Gower on painting an estate plan when the grounds are unfinished, the work that gives him a “hum in the pelvis,” what Frank Zappa has in common with high-effort fake maps, an abandoned 5x5 ft. map of Venice that was more enjoyable to ground-truth than to draw, combining lunar toponymy with 1600s Italian map style, a trip to Barcelona on Conde Nast’s dime, and emphatically not illustrating his memoir about starting in a Welsh coal town and ending up in the chalk country of Lewes.

• Le Manoir Aux Quat’ Saisons estate map for Raymond Blanc
• Prendi il Largo
• French cuisine map
• Raymond Briggs
• Cassandre

New York City cartographer and QueensLink chief design officer Andrew Lynch on using library archives, train-mounted GoPro footage and his own two feet to plot every track in the New York City subway system, a brush with cubicle-based urban planning at the Port Authority, testy-yet-productive correspondence with railfans, the unshakable authority conferred by the Google Maps style, how your cartographic project should answer a question, and learning that the obstacle to building a subway extension is not money (“What’s four billion dollars?”) but belief that it can be done.

• New York City Track Map
• Download the full map
• About the map
• Boston MBTA Track Map
• Chicago Track Map
• Unbuilt Highways of NYC
• The QueensLink plan to add four new M stations to the abandoned Rockaway Beach elevated line; it will also create 33 acres of new parks along the right-of-way.
• Cameron Booth
• Jake Berman
• Massimo Vignelli
• Andrew Hagstrom
• Sanborn fire insurance maps

New Brunswick embroidery artist Danielle Currie discusses her fans among NASA’s Ocean Processing Group, spending more than 400 hours to render an Icelandic river in straight stitches, her hoops being mistaken for paintings, how you really have to enjoy the colors of a piece you’ll hold in your lap for months, pricing herself out of her own art, and not accepting commissions because “they’ll get it when they’re 80.”

• NASA Ocean Color
• Kate Tarling (see ep. 5)
• Jennye Stubblefield
• Clara Bowe
• Yasmin Louise Holder
• Victoria Rose Richards
• Andri Jonasson
• Abstract Aerial Art
• Printable dissolving embroidery substrate